LEE FILTERS NO. |
LEE
FILTER NAME |
LIGHTING
GEL DESCRIPTION |
|
|
|
|
Lee
Filters |
002 |
Rose Pink |
Strong pink wash, good for
cycloramas. |
Lee
Filters |
003 |
Lavender Tint |
Subtle cool wash for stage
and studio lighting. |
Lee
Filters |
004 |
Medium Bastard
Amber |
Naturally enhances skin
tones. |
Lee
Filters |
007 |
Pale Yellow |
Sunlight. |
Lee
Filters |
008 |
Dark Salmon |
Enhances dark skin tones,
sunsets, ballroom sets. |
Lee
Filters |
009 |
Pale Amber Gold |
Perfect warm front light
for any skin tone. |
Lee
Filters |
010 |
Medium Yellow |
A pure bright yellow. Great
for special effects and accents. Use with caution in acting
areas. |
Lee
Filters |
013 |
Straw Tint |
Warmer than other straw
colours. A good sunlight effect when used in contrast with
ambers and blues. |
Lee
Filters |
015 |
Deep Straw |
A warm amber light. Good
for effects such as candlelight and fire. |
Lee
Filters |
017 |
Surprise Peach |
Good for skin tones and
creating a moody lighting effect. |
Lee
Filters |
019 |
Fire |
A strong red/amber. Great
for fire effects. |
Lee
Filters |
020 |
Medium Amber |
Good for afternoon sunlight
and candlelight. Also great for side lighting. |
Lee
Filters |
021 |
Gold Amber |
Great for sunsets,
cyclorama lighting and fire effects. |
Lee
Filters |
022 |
Dark Amber |
A good
backlight. |
Lee
Filters |
024 |
Scarlet |
Great for pantomimes,
ballroom sets and fire effects. |
Lee
Filters |
025 |
Sunset Red |
A good warm stage wash, TV
studio wash or sunset effect. |
Lee
Filters |
026 |
Bright Red |
A vibrant red, good for
cyclorama lighting. |
Lee
Filters |
027 |
Medium Red |
Good for cyclorama
lighting, side lighting and footlights. Also good for colour
mixing. |
Lee
Filters |
029 |
Plasa Red |
Good for fire effects,
musicals and cycloramas. |
Lee
Filters |
035 |
Light Pink |
A warm wash good for
musical reviews. |
Lee
Filters |
036 |
Medium Pink |
Good for general washes and
side lighting. |
Lee
Filters |
039 |
Pink Carnation |
A soft, cool pastel pink,
good for backlighting and general colourwash. |
Lee
Filters |
046 |
Dark Magenta |
A very strong pink, good
for backlighting. |
Lee
Filters |
048 |
Rose Purple |
Good for emulating evening.
Great backlight. |
Lee
Filters |
049 |
Medium Purple |
A strong cheerful glow,
good for cycloramas and pantomimes. |
Lee
Filters |
052 |
Light Lavender |
Good for general areas and
side lights. Great for a basic followspot colour as well as an
excellent backlight. |
Lee
Filters |
053 |
Paler Lavender |
A subtle cool
wash. |
Lee
Filters |
058 |
Lavender |
An excellent backlight that
creates a new dimension. |
Lee
Filters |
061 |
Mist Blue |
A cool wash good for night
scenes. |
Lee
Filters |
063 |
Pale Blue |
Cool front light wash, good
for creating an overcast look for cold weather. |
Lee
Filters |
068 |
Sky Blue |
Good for morning skin tones
and night skies. Great for cyclorama lights. |
Lee
Filters |
071 |
Tokyo Blue |
A deep blue, used for
midnight scenes and cyclorama lighting. |
Lee
Filters |
075 |
Evening Blue |
Good for night scenes and
romantic moonlight. |
Lee
Filters |
079 |
Just Blue |
A good colour mixing blue.
Great for cyclorama lighting. |
Lee
Filters |
085 |
Deeper Blue |
A deep warm blue. Good for
back and side lighting. |
Lee
Filters |
088 |
Lime Green |
Use with gobos for leafy
glades. Good for pantomimes, giving a slightly sinister
atmosphere. |
Lee
Filters |
089 |
Moss Green |
Good mood creator. Used
with gobos, creates a great foliage effect. |
Lee
Filters |
090 |
Dark Yellow Green |
Highlighting for forest
effects. |
Lee
Filters |
100 |
Spring Yellow |
A sunlight wash - use with
gobos, disco and dark skin tones. |
Lee
Filters |
101 |
Yellow |
Sunlight and window effect
- pleasant in acting areas. |
Lee
Filters |
102 |
Light Amber |
A warm yellow colour. Great
for candlelight or warm bright sunlight effects. |
Lee
Filters |
103 |
Straw |
Pale sunlight through a
window and a good warm winter effect. |
Lee
Filters |
104 |
Deep Amber |
Good for sunlight effect,
accents and side light. Be careful of skin tones under the
reddish tint of this colour. |
Lee
Filters |
105 |
Orange |
Good for light
entertainment and functions. Creates a good fire effect when
used with 106, 166, 104. |
Lee
Filters |
106 |
Primary Red |
Strong red effect. Good
with cyclorama lighting. |
Lee
Filters |
107 |
Light Rose |
Good for general washes and
followspots. |
Lee
Filters |
108 |
English Rose |
Warm tint wash. Dark flesh
tones and softer skin tones. |
Lee
Filters |
109 |
Light Salmon |
Interesting
backlight. |
Lee
Filters |
110 |
Middle Rose |
Pleasing effects for
theatrical lighting. |
Lee
Filters |
111 |
Dark Pink |
Good for cyclorama
lighting. |
Lee
Filters |
113 |
Magenta |
Very strong - used
carefully for small areas on set. |
Lee
Filters |
115 |
Peacock Blue |
A pleasing effect on set
Good for cyclorama and backlighting (e.g. ice rinks, galas,
etc). |
Lee
Filters |
116 |
Medium Blue-Green |
A pleasing effect for
theatrical lighting. |
Lee
Filters |
117 |
Steel Blue |
Good for cool washes. Adds
a pale green tint. Great for emulating icy weather on
stage. |
Lee
Filters |
118 |
Light Blue |
A strong night
effect. |
Lee
Filters |
119 |
Dark Blue |
Good for mood effects
created by backlighting and side lighting. Creates great
contrast. |
Lee
Filters |
120 |
Deep Blue |
A pleasing effect for
theatrical lighting. |
Lee
Filters |
121 |
LEE Green |
Good for dense foliage,
tropical jungle or woodland effect. |
Lee
Filters |
122 |
Fern Green |
Good for cycloramas and
creates a great mood effect. |
Lee
Filters |
124 |
Dark Green |
Good for cycloramas and
backlighting. |
Lee
Filters |
126 |
Mauve |
Good for backlighting. Dark
magenta / purple adds drama and mood. |
Lee
Filters |
127 |
Smokey Pink |
Good for cycloramas, set
lighting and discos. |
Lee
Filters |
128 |
Bright Pink |
Created for use as
backlighting and side lighting. Great for
musicals. |
Lee
Filters |
130 |
Clear |
Used in animation and
projection work. |
Lee
Filters |
131 |
Marine Blue |
Good for romantic
moonlight. Often used in ballet and underwater
scenes. |
Lee
Filters |
132 |
Medium Blue |
Deep moonlight. Great for
colour mixing. |
Lee
Filters |
134 |
Golden Amber |
Great for emulating a
sunset. Also good for side lighting and cyclorama
lighting. |
Lee
Filters |
135 |
Deep Golden Amber |
A great fire
effect. |
Lee
Filters |
136 |
Pale Lavender |
Great for pantomimes and
ballroom sets. Also enhances dark skin tones in follow
spots. |
Lee
Filters |
137 |
Special Lavender |
Good for moonlight and
musical / romantic scenes. Enhances skin tones. |
Lee
Filters |
138 |
Pale Green |
Good with gobos for wooded
scenes. |
Lee
Filters |
139 |
Primary Green |
Good for set lighting and
cyclorama lighting. |
Lee
Filters |
140 |
Summer Blue |
Good for light midday sky.
Light blue tinted wash. |
Lee
Filters |
141 |
Bright Blue |
Very dramatic when used as
moonlight. |
Lee
Filters |
142 |
Pale Violet |
Great Moonlight effect. Good for
cyclorama lighting and highlighting foliage on plants. |
Lee
Filters |
143 |
Pale Navy Blue |
Great moonlight / night
effect. |
Lee
Filters |
144 |
No Colour Blue |
A clean blue with hints of
green. Good for moonlight and sidelight. |
Lee
Filters |
147 |
Apricot |
Good for sunrise, sunset
and lamplight effects. |
Lee
Filters |
148 |
Bright Rose |
Great for fire effects and
musicals. |
Lee
Filters |
151 |
Gold Tint |
A pleasing effect for
theatrical lighting. |
Lee
Filters |
152 |
Pale Gold |
Used with interior lighting
to enhance skin tones. |
Lee
Filters |
153 |
Pale Salmon |
Good for backlighting in
conjunction with white light. |
Lee
Filters |
154 |
Pale Rose |
A pleasing effect for
theatrical lighting. A good lamplight effect. |
Lee
Filters |
156 |
Chocolate |
Warms light and reduces the
intensity. |
Lee
Filters |
157 |
Pink |
Great for dance sequences
(useful for softening white costumes without affecting skin
tones). |
Lee
Filters |
158 |
Deep Orange |
A great fire
effect. |
Lee
Filters |
159 |
No Colour Straw |
A warm effect.
Sunlight. |
Lee
Filters |
161 |
Slate Blue |
A pure medium blue.Good for
skies, moonlight and dusk effects. |
Lee
Filters |
162 |
Bastard Amber |
A warm white / warm wash.
Good lamplight effect. |
Lee
Filters |
164 |
Flame Red |
Great for fire
effects. |
Lee
Filters |
165 |
Daylight Blue |
Great for moonlight
effect. |
Lee
Filters |
166 |
Pale Red |
Good for cyclorama
lighting. |
Lee
Filters |
169 |
Lilac Tint |
A pale lavender. Good for
almost white light with a cool tint. |
Lee
Filters |
170 |
Deep Lavender |
Great for set lighting,
discos and theatres. |
Lee
Filters |
172 |
Lagoon Blue |
A floodlit warm wash. Great
for underwater scenes and ballet. |
Lee
Filters |
174 |
Dark Steel Blue |
Great for set lighting.
Creates good moonlight shadows. |
Lee
Filters |
176 |
Loving Amber |
Used for backlighting and
general areas. Great for sunrise effect and warming skin
tones. |
Lee
Filters |
179 |
Chrome Orange |
A combination of 1/2 CTO
and double strength 104, perfect for sunlight. |
Lee
Filters |
180 |
Dark Lavender |
A pleasing effect for
theatrical lighting and backlighting. |
Lee
Filters |
181 |
Congo Blue |
Looks like black light when
used with a fluorescent source. Great effect colour. Very
saturated. |
Lee
Filters |
182 |
Light Red |
Good for theatre and
television effect lighting as well as cycloramas. |
Lee
Filters |
183 |
Moonlight Blue |
Good for moonlight effect
and cycloramas. |
Lee
Filters |
184 |
Cosmetic Peach |
A warm highlight or front
light; complimentary for most skin tones. |
Lee
Filters |
185 |
Cosmetic Burgundy |
A warm highlight or front
light; complimentary for most skin tones. |
Lee
Filters |
186 |
Cosmetic Silver
Rose |
A warm highlight, leaning
towards pink. Brings out pink pigment in skin
tones |
Lee
Filters |
187 |
Cosmetic Rouge |
A warm highlight leaning
toward apricot, good for warm front light, complimentary to
most skin tones. |
Lee
Filters |
188 |
Cosmetic
Highlight |
A warm highlight leaning
toward amber, good for warm front light, complimentary to most
skin tones. Barbara Walters' favourite colour! |
Lee
Filters |
189 |
Cosmetic Silver
Moss |
A cool highlight leaning
towards yellow-green; good for use on mid range skin tones,
avoid use on very dark and very pale skin tones |
Lee
Filters |
190 |
Cosmetic Emerald |
A cool highlight leaning
towards blue-green, good for cool front light. |
Lee
Filters |
191 |
Cosmetic Aqua
Blue |
A cool highlight leaning
towards blue, good for cool front light. |
Lee
Filters |
192 |
Flesh Pink |
Good for musical and
pantomime key lighting. |
Lee
Filters |
193 |
Rosy Amber |
Warm, emotional and
romantic. |
Lee
Filters |
194 |
Surprise Pink |
Good for
musicals. |
Lee
Filters |
195 |
Zenith Blue |
Creates a good moonlight
effect on a dark set. Also good for cycloramas. |
Lee
Filters |
196 |
True Blue |
Great for moonlight
effect. |
Lee
Filters |
197 |
Alice Blue |
Great for cyclorama
lighting and creating deep blue skies cyclorama
cycloramas |
Lee
Filters |
198 |
Palace Blue |
Good for dark moonlight or
a romantic evening. |
Lee
Filters |
199 |
Regal Blue |
A deep lavender blue that
strongly enhances skin tones. |
Lee
Filters |
200 |
Double C.T. Blue |
Converts tungsten (3200K) to daylight
(26000K) |
Lee
Filters |
201 |
Full C.T. Blue |
Converts tungsten (3200K)
to photographic daylight (5700K). |
Lee
Filters |
202 |
Half C.T. Blue |
Converts tungsten (3200K)
to daylight (4300K). |
Lee
Filters |
203 |
Quarter C.T. Blue |
Converts tungsten (3200K)
to daylight (3600K). |
Lee
Filters |
204 |
Full C.T. Orange |
Converts daylight (6500K)
to tungsten light (3200K). |
Lee
Filters |
205 |
Half C.T. Orange |
Converts daylight (6500K)
to tungsten light (3800K) |
Lee
Filters |
206 |
Quarter C.T.
Orange |
Converts daylight (6500K)
to tungsten light (4600K). |
Lee
Filters |
207 |
Full C.T.Orange +
.3ND |
Converts daylight (6500K)
to tungsten (3200K) and reduces light 1 stop. |
Lee
Filters |
208 |
Full C.T. Orange +
.6ND |
Converts daylight (6500K)
to tungsten (3200K) and reduces light 2 stops. |
Lee
Filters |
209 |
0.3ND |
Reduces light 1 stop,
without changing colour. |
Lee
Filters |
210 |
0.6ND |
Reduces light 2 stops,
without changing colour. |
Lee
Filters |
211 |
0.9ND |
Reduces light 3 stops,
without changing colour. |
Lee
Filters |
212 |
L.C.T.Yellow (Y1) |
Reduces colour temperature
of low carbon arcs to 3200K. |
Lee
Filters |
213 |
White Flame Green |
Corrects white flame carbon
arcs by absorbing ultra violet. |
Lee
Filters |
217 |
Blue Diffusion |
As White Diffusion but with
the addition of Eighth C.T. Blue |
Lee
Filters |
218 |
Eighth C.T. Blue |
Converts tungsten (3200K)
to daylight (3400K). |
Lee
Filters |
219 |
LEE Fluorescent
Green |
General tungsten to
fluorescent correction for use when fluorescent colour temp is
unknown, to provide medium correction. |
Lee
Filters |
221 |
Blue Frost |
Used for soft light effects
with the addition of 218. Flame retardant. |
Lee
Filters |
223 |
Eighth C.T.
Orange |
Converts daylight (6500K)
to tungsten light (5550K). |
Lee
Filters |
224 |
Daylight Blue
Frost |
Used for soft light effects
with the addition of 201 Full CTB. |
Lee
Filters |
225 |
Neutral Density
Frost |
Used for soft light effects
with the addition of 0.6 Neutral Density. |
Lee
Filters |
226 |
Lee U.V. |
Transmission of less than
50% at 410nms. |
Lee
Filters |
230 |
Super Correction
L.C.T.Yellow |
Converts yellow carbon arc
(of low colour temperature) to tungsten. |
Lee
Filters |
232 |
Super Correction W.F.Green
to Tungsten |
Converts white flame arc to
3200K, for use with Tungsten film. |
Lee
Filters |
236 |
H.M.I. (to
Tungsten) |
Converts HMI to 3200K, for
use with Tungsten film. |
Lee
Filters |
237 |
C.I.D. (to
Tungsten) |
Converts CID to 3200K, for
use with Tungsten film. |
Lee
Filters |
238 |
C.S.I. (to
Tungsten) |
Converts CSI to 3200K, for
use with Tungsten film. |
Lee
Filters |
241 |
LEE Fluorescent 5700
Kelvin |
Converts tungsten to
fluorescent light of 5700K (cool white/daylight). |
Lee
Filters |
242 |
LEE Fluorescent 4300
Kelvin |
Converts tungsten to
fluorescent light of 4300K (white). |
Lee
Filters |
243 |
LEE Fluorescent 3600
Kelvin |
Converts tungsten to
fluorescent light of 3600K (warm white). |
Lee
Filters |
244 |
LEE Plus Green |
Used on daylight and
tungsten light sources to provide green cast when used in
conjuction with discharge lighting. |
Lee
Filters |
245 |
Half Plus Green |
Used on daylight and tungsten light
sources to provide green cast when used in conjuction with
discharge lighting. |
Lee
Filters |
246 |
Quarter Plus
Green |
Used on daylight and tungsten light
sources to provide green cast when used in conjuction with
discharge lighting. |
Lee
Filters |
247 |
LEE Minus Green |
Used on lighting to
eliminate unwanted green cast created by discharge light
sources on film. |
Lee
Filters |
248 |
Half Minus Green |
Used on lighting to
eliminate unwanted green cast created by discharge light
sources on film. |
Lee
Filters |
249 |
Quarter Minus
Green |
Used on lighting to eliminate unwanted
green cast created by discharge light sources on film. |
Lee
Filters |
269 |
LEE Heat Shield |
A transparent flexible film used to
extend the life of filter. |
Lee
Filters |
278 |
Eighth Plus Green |
Provides very slight green
cast. Used on daylight and tungsten light sources to provide
green cast when used in conjuction with discharge
lighting. |
Lee
Filters |
279 |
Eighth Minus
Green |
Provides very slight
correction. Used on lighting to eliminate unwanted green cast
created by discharge light sources on film. |
Lee
Filters |
281 |
Three Quarter C.T.
Blue |
Converts tungsten to
daylight. |
Lee
Filters |
285 |
Three Quarter C.T.
Orange |
Converts daylight (6500K)
to tungsten light (3600K). |
Lee
Filters |
298 |
0.15ND |
Reduces light 1/2 stop,
without changing colour. |
Lee
Filters |
299 |
1.2ND |
Reduces light 4 stops,
without changing colour. |
Lee
Filters |
322 |
Soft Green |
A cool green used for gobo
cover, pantomimes and cycloramas. |
Lee
Filters |
323 |
Jade |
Used for underwater scenes,
cycloramas and backlighting. |
Lee
Filters |
325 |
Mallard Green |
Good for mood setting and
undergrowth. |
Lee
Filters |
327 |
Forest Green |
A deep green for sinister
forest scenes, cycloramas and backlighting. |
Lee
Filters |
328 |
Follies Pink |
Great for dramatic stage
lighting. |
Lee
Filters |
332 |
Special Rose Pink |
Great for Pantomimes, light
entertainment etc. A good strong stage wash. |
Lee
Filters |
341 |
Plum |
Great for romantic and
atmospheric set lighting. |
Lee
Filters |
343 |
Special Medium
Lavender |
Good for theatre and T.V.
effect lighting and backlighting. |
Lee
Filters |
344 |
Violet |
A good dusk and romantic
effect. Also good for skin tones. |
Lee
Filters |
345 |
Fuchsia Pink |
Good for musicals,
pantomimes and sultry scenes. |
Lee
Filters |
352 |
Glacier Blue |
A cold blue, good for cool
atmospheric mood setting. |
Lee
Filters |
353 |
Lighter Blue |
Good for daylight
effects. |
Lee
Filters |
354 |
Special Steel
Blue |
A cooling blue-green wash
for stage and set lighting. |
Lee
Filters |
363 |
Special Medium
Blue |
Great for cool moonlight
and mood effects. |
Lee
Filters |
366 |
Cornflower |
Great for pale moonlight
and seasonal mood lighting. |
Lee
Filters |
441 |
Full C.T. Straw |
Converts 6500K to 3200K -
daylight to tungsten light with a yellow bias. |
Lee
Filters |
442 |
Half C.T. Straw |
Converts 6500K to 4300K -
daylight to tungsten light with a yellow bias. |
Lee
Filters |
443 |
Quarter C.T.
Straw |
Converts 6500K to 5100K -
daylight to tungsten light with a yellow bias. |
Lee
Filters |
444 |
Eighth C.T. Straw |
Converts 6500K to 5700K -
daylight to tungsten light with a yellow bias. |
Lee
Filters |
700 |
Perfect Lavender |
In-between 170 Deep
Lavender and 345 Fuchsia Pink, and is good for backlighting
and romantic atmospheres. |
Lee
Filters |
702 |
Special Pale
Lavender |
A cold lavender when used
with a full tungsten source, but warms as the source is
dimmed. Good as a fill for slow sunset fades. |
Lee
Filters |
703 |
Cold Lavender |
A colour that would be
great for front / key lighting and that works well with 152
Pale Gold. |
Lee
Filters |
704 |
Lily |
A cool lavender with little
red content. Good for romantic evening exteriors. |
Lee
Filters |
705 |
Lily Frost |
Smoothes PAR or flood
washes of large areas. Useful for houselights and a good
colour wash for evening events. |
Lee
Filters |
706 |
King Fals
Lavender |
A cold
lavender. |
Lee
Filters |
707 |
Ultimate Violet |
Used in musical
performances for general colour washes and set
lighting. |
Lee
Filters |
708 |
Cool Lavender |
For use as a warmer tint
without turning yellow and to recreate the colour of
fluorescent lighting. |
Lee
Filters |
709 |
Electric Lilac |
Provides good colour
rendering which creates a sharp edge, adding a touch of
drama. |
Lee
Filters |
710 |
Spir Special Blue |
A cool industrial
blue. |
Lee
Filters |
711 |
Cold Blue |
To give a cold/grey HMI
effect from a tungsten source. Will also help blend the light
when using both tungsten and HMI sources. |
Lee
Filters |
712 |
Bedford Blue |
A smoky warm blue. Good for
skin tones. |
Lee
Filters |
713 |
J.Winter Blue |
A very dark blue with a
high UV content. Good when used in high concentrations for a
moody and powerful stage colour wash. |
Lee
Filters |
714 |
Elysian Blue |
A new deeper version of 197
Alice Blue. |
Lee
Filters |
715 |
Cabana Blue |
A deep blue that still has
enough transmission to work encouragingly well on
television. |
Lee
Filters |
716 |
Mikkel Blue |
A romantic blue to produce
a night effect. |
Lee
Filters |
717 |
Shanklin Frost |
201 Full CT Blue with frost
to soften the beam of profile units. |
Lee
Filters |
718 |
Half Shanklin
Frost |
202 Half CT Blue with frost
to soften the beam of profile units. |
Lee
Filters |
719 |
Colour Wash Blue |
To allow low intensity
tungsten to hold a cold/blue feel. |
Lee
Filters |
720 |
Durham Daylight
Frost |
Smoothes PAR or flood
washes of large areas. Useful for houselight and good for
entrances from natural light. |
Lee
Filters |
721 |
Berry Blue |
Used in musical
performances for rear colour wash or set
lighting. |
Lee
Filters |
722 |
Bray Blue |
A purer blue with very
little red in it. |
Lee
Filters |
723 |
Virgin Blue |
This is a pure blue, not
too green and not too lavender, yet still feels warm for a
blue with an early morning feel. |
Lee
Filters |
724 |
Ocean Blue |
Useful at low levels of
light. Good for dull skies and moonlight. |
Lee
Filters |
725 |
Old Steel Blue |
Cool wash, useful for
highlights. |
Lee
Filters |
727 |
QFD Blue |
a special version of 729
Scuba Blue which is good for backlighting and swimming pool
effects. |
Lee
Filters |
728 |
Steel Green |
Approaching storms.
Overcast days. Cold steely light. Malevolent
moonlight. |
Lee
Filters |
729 |
Scuba Blue |
Used in musical
performances for a rear colour wash or set
lighting. |
Lee
Filters |
730 |
Liberty Green |
A good green for creating
mystery and suspense. |
Lee
Filters |
731 |
Dirty Ice |
Dirtier than 730 Liberty
Green, more orange, sympathetic with skin tones. |
Lee
Filters |
733 |
Damp Squib |
A dirty green, reduces
warmth. Good for cross lighting. |
Lee
Filters |
735 |
Velvet Green |
A beautiful background
colour. Victorian melodrama. A night time green. |
Lee
Filters |
736 |
Twickenham Green |
A powerful green with
depth, for music or light entertainment. |
Lee
Filters |
738 |
JAS Green |
A rich yellowish green.
Useful as a concert stage wash where darker skin tone, costume
and set are a consideration. |
Lee
Filters |
740 |
Aurora Borealis
Green |
Primary jungle colour.
Removes some red and blue. Works best with daylight bulbs.
Sodium lamp effect. |
Lee
Filters |
741 |
Mustard Yellow |
Spooky when used in haze.
Removes some red and blue. Works best with daylight bulbs.
Sodium lamp effect. |
Lee
Filters |
742 |
Bram Brown |
Dirtier than 156 Chocolate,
good for skin tones. Dims well and doesn't go pink at low
light levels. |
Lee
Filters |
744 |
Dirty White |
Correct a daylight source
to an off white tungsten source. Used with a tungsten source
provides a dingy effect like a smoky bar. |
Lee
Filters |
746 |
Brown |
To give a murky, dirty feel
to tungsten. A darker, less pink chocolate. |
Lee
Filters |
747 |
Easy White |
Primarily developed for
fluorescents to ensure warm, comfortable light and flattering
skin tones. |
Lee
Filters |
748 |
Seedy Pink |
A smoky pink. Good for
tungsten on skin tones. |
Lee
Filters |
749 |
Hampshire Rose |
Combines flesh tone warmer
154 Pale Rose with some Hampshire Frost. |
Lee
Filters |
750 |
Durham Frost |
A frost that almost
completely softens shutter edges and removes hot
spots. |
Lee
Filters |
763 |
Wheat |
Adds warmth,
sunlight. |
Lee
Filters |
764 |
Sun Colour Straw |
Adds warmth, bright
sunlight. |
Lee
Filters |
765 |
LEE Yellow |
Useful for producing a
strong sunlight effect. |
Lee
Filters |
767 |
Oklahoma Yellow |
A rich blend of bright
sunshine and warm ochre overtones. |
Lee
Filters |
768 |
Egg Yolk Yellow |
A bold strong chemical
yellow, less orange/red than 179 Chrome Orange. |
Lee
Filters |
770 |
Burnt Yellow |
A colour that feels warm
and dense on camera, a balance between 179 Chrome Orange and
105 Orange. |
Lee
Filters |
773 |
Cardbox Amber |
Warm tint for skin
tones. |
Lee
Filters |
774 |
Soft Amber Key 1 |
Used for producing a warm
key light colour. Flame retardant. |
Lee
Filters |
775 |
Soft Amber Key 2 |
Used for producing a warm
key light colour. Flame retardant. |
Lee
Filters |
776 |
Nectarine |
Romantic sunset. Period
pieces. |
Lee
Filters |
777 |
Rust |
A vivid rust colour
effect. |
Lee
Filters |
778 |
Millennium Gold |
Useful for lighting
architecture: it produces a rich amber when used on a tungsten
source, or a much cooler effect when used on a HMI
lamp. |
Lee
Filters |
779 |
Bastard Pink |
Deep sunset. Useful on dark
skin tones. |
Lee
Filters |
780 |
AS Golden Amber |
Between 778 Millennium Gold
and 135 Deep Golden Amber, but less red. A strong colour good
for backlighting. |
Lee
Filters |
781 |
Terry Red |
A strong amber red that
works well when used against deep reds and dark ambers, in
wash combinations and on cycloramas. |
Lee
Filters |
787 |
Marius Red |
Nice deep full red. Rose
leaf colour. |
Lee
Filters |
789 |
Blood Red |
For a deep saturated red
effect. Used when a strong vivid red effect is
required. |
Lee
Filters |
790 |
Moroccan Pink |
A rich natural pink, good
for producing late afternoon sun effects. |
Lee
Filters |
791 |
Moroccan Frost |
Smoothes PAR or flood
washes of large areas. Useful for houselights and good for
interior colour washes. |
Lee
Filters |
793 |
Vanity Fair |
A rich glamorous pink, good
for use on special occasions. |
Lee
Filters |
794 |
Pretty 'n Pink |
Creates warm and soft
effects. |
Lee
Filters |
795 |
Magical Magenta |
Rich mixture of red and
pinks. |
Lee
Filters |
797 |
Deep Purple |
Used in musical
performances for general colour washes and set
lighting. |
Lee
Filters |
798 |
Chrysalis Pink |
A new deeper lavender with
a dash of rose blusher. |
Lee
Filters |
799 |
Special KH
Lavender |
A deep lavender that brings
out the UV. |